Joined
·
3,559 Posts
This also applies, of course, to TV shows. Post the clueless things you see that either bug you or make you laugh.
I'll commence:
1. Cocking the hammer on a 1911, aka Condition 2 carry. Then when the threat is over, the good guy does a one-handed thumb decock of the hammer. Dangerous.
2. When the 6' 5", 300-pound BG is shot by a 9mm or .38 Special, he goes flying 15 feet back to hit the wall while 20 gallons of blood splatter all over the place.
3. Someone has been carrying a handgun throughout the film, then when you finally see the muzzle end, it can't possibly be bigger than a .22.
4. Extreme, unrealistic accuracy. For example, when Mel Gibson shoots the smiley face on the target in Lethal Weapon.
5. Zero recoil/muzzle flip. That same gun that splattered the BG in Example #2 above has absolutely no recoil when fired. It fires and remains perfectly static, even in the hands of a 5' 3", 110-pound woman.
So let's hear what grinds your gears!
:yup:
I'll commence:
1. Cocking the hammer on a 1911, aka Condition 2 carry. Then when the threat is over, the good guy does a one-handed thumb decock of the hammer. Dangerous.
2. When the 6' 5", 300-pound BG is shot by a 9mm or .38 Special, he goes flying 15 feet back to hit the wall while 20 gallons of blood splatter all over the place.
3. Someone has been carrying a handgun throughout the film, then when you finally see the muzzle end, it can't possibly be bigger than a .22.
4. Extreme, unrealistic accuracy. For example, when Mel Gibson shoots the smiley face on the target in Lethal Weapon.
5. Zero recoil/muzzle flip. That same gun that splattered the BG in Example #2 above has absolutely no recoil when fired. It fires and remains perfectly static, even in the hands of a 5' 3", 110-pound woman.
So let's hear what grinds your gears!
:yup: